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My way of working is to incorporate very self-contained autonomous objects into a performance – resulting in a large number of images. But I can also extract things from it, which can in turn become self-contained objects in their own right, says the Belgian artist Miet Warlop.

A few days before the end of the exhibition Yves Klein. Theatre of the Void, she takes you inside a world of fragile representations and lets all manner of creatures, sculptures and tableaux vivants loose in the Centre for Fine Arts’ Horta Hall.