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More than two years after the citizens of the United Kingdom voted to leave the European Union the future relationship between the UK and the EU remains unclear. In the spirit of proactive and responsible global citizenship, a number of steps have been taken to clarify what that relationship could or should be once BREXIT negotiations have been completed, while fully respecting the results of the vote to leave on June 23, 2016.

Today the Centre for Fine Arts of Brussels (BOZAR), in partnership with the European Cultural Foundation and the British Council, assembled leading cultural workers, directors, artists, and European federations assembled to raise their voices on Brexit and its potential impact on their fields: from music to design, audiovisual, architecture, visual arts, performing art, or publishing.

Coming from all over the EU, participants clearly expressed their concerns that their interests may have been overlooked, and that the power of these sectors has been underestimated.


  • © Alexandru Chira

    Artists’ fragments: A journey of encounters in Romania

    For a long time, Romania has been a land for artistic creation which has greatly been able to forge Europe’s cultural imaginary. From Brancusi to Tzara or Bratescu, it has offered us numerous artists who have largely contributed to the most avant-garde movements of our continent.

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    — published on
  • BOZAR and the Maisons de Quartier of the City of Brussels strengthen accessibility to arts and culture for Brussels residents

    Facilitating the access to art and culture for the inhabitants in Brussels, especially for the isolated and underprivileged: that’s the aim of a brand new partnership between BOZAR and the Community Centres of the City of Brussels.

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    — published on
  • @ Caroline Lessire

    CALL FOR PROJECTS: NEXT GENERATION, PLEASE! ’19-’20

    Are you a teacher? Do you work with a group of young people? Are you active within a cultural association? If so, participate in the fourth edition of Next Generation, Please!. 

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    — published on