A black and white headshot of Chantal Akerman, who has one hand in her neck and stares straight into the camera, half-smiling.

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Chantal Akerman

Selfportrait / Autobiography: A Work in Progress (1998) is spectacularly presented through six to eight monitors and contains images from several of her films that have marked and punctuated Akerman’s career: Hôtel Monterey (1972), Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975), Toute une nuit (A Whole Night/All Night Long, 1982) and D'Est (From the East, 1993).

Co-funded with the NextGenerationEU Plan of the European Commission